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Richard

Driven by an unwavering passion for visual storytelling, I established Films.Solutions, a dynamic service production company in Canada, specializing in films, documentaries, and television series. Through my extensive network of industry professionals, I empower local and international directors, producers, and broadcasters to overcome technical and logistical challenges, enabling them to focus exclusively on their creative vision. My expertise in production management, coupled with a proven track record of delivering projects on time and within budget, has allowed me to build and nurture high-performing creative and technical teams. As both a producer and cinematographer, I thrive on exploring the world and connecting with remarkable individuals who push boundaries and inspire change. My work is characterized by a keen eye for capturing fleeting moments of beauty and authenticity, whether chronicling groundbreaking innovations or celebrating the profound simplicity of everyday life. Through Films.Solutions, I've had the privilege of not only realizing my own creative projects but also collaborating with passionate storytellers to bring their unique narratives to life, contributing to the rich tapestry of contemporary visual media.
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The talented crew at Films.Solutions helped to elevate the already powerful script of "Lady Psycho Killer" with their top-notch equipment and production services.

Lady Psycho Killer

Lady Psycho Killer is a film ready to rock you to the core. A doe-eyed knife-wielding killer is on the loose in a small town slicing and dicing men of

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Citizen Detective

For Citizen Detective, our team coordinated access, permits, bilingual crews, travel blocks and safety across Canadian locations. This behind-the-scenes note shares how we balanced true-crime sensitivity with fast documentary schedules—bringing

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King of the River

In King of the River (2nd Season), André Paradis, world renowned expert fisherman, shares his passion for Atlantic salmon fly fishing as well as the majestic landscapes at the end

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Bye Bye Switzerland

The series “Bye Bye Switzerland” is a flagship program at Radio Télévision Suisse (RTS). The program is produced in-house by the French-speaking documentary department of RTS and is based on

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Discover the hard work and dedication that goes into creating a film with these behind-the-scenes photos of "Opération Luchador" by Richard Duquette

Operation Luchador

For Operation Luchador, our team coordinated access, permits, bilingual crews, cinematography support and travel logistics across Canadian locations. This case study shows how planning, safety culture and specialty camera solutions

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FAY Archive in Eastern Canada

From coastal roads and historic towns to compact units working fast, Films.Solutions supported FAY Archive across Eastern Canada. We coordinated permits, bilingual crews, cinematography and sound, travel logistics, and weather-smart

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The Director of Photography

Through the Lens: The Wild, Wonderful World of a Cinematographer

As a Director of Photography (DP), I live for the thrill of chasing light and motion through a camera lens—it’s equal parts art, science, and pure adrenaline. My job? To breathe visual life into a story, crafting shots that don’t just show what’s happening but make you feel it—whether it’s the raw grit of a documentary, the polished punch of a commercial, or the sweeping drama of a feature film. Cinematography isn’t just pointing a camera; it’s wielding a superpower to sculpt emotions frame by frame.

The Holy Trinity: Composition, Lighting, Movement

Every killer shot starts with three essentials: composition, lighting, and camera movement—my cinematic trifecta. Composition is like staging a painting—where do I place the hero, the horizon, that lone tree swaying in the wind? Get it right, and the frame sings; get it wrong, and it’s visual noise. Lighting? That’s the mood-maker. A soft glow can whisper intimacy, while a stark beam screams tension—think of it as my emotional dimmer switch. Then there’s movement—pans that tease, tilts that reveal, dollies that pull you into the action. Together, these tools don’t just capture a scene; they ignite it.

DOP, camera, 1AC in the foreground, with Films.Solutions assistant behind a large diffusion screen, prepping for U2's 2018 tour video shoot

Styles That Pop: From Grit to Fantasy

Every project’s got its own vibe, and I’ve got to match it. Documentary style is my ninja mode—stalking real life as it unfolds, nailing that fleeting “whoa” moment with zero do-overs. Realistic cinematography? That’s recreating the world with a twist—think The Bourne Identity vibes, gritty but glossy. Then there’s fantasy—my playground for conjuring alien suns or misty realms with tricks like lens flares, CGI tweaks, or a perfectly timed smoke machine. Whatever the gig, I’m the chameleon behind the lens, bending light to fit the vision.

Gear That Rocks the Shot

My toolkit’s my treasure chest—cameras, lenses, lights, and rigs that turn ideas into gold. I’m talking ARRI Alexa for buttery richness, RED Dragon for razor-sharp punch, or Sony F55 for versatility that slays. Lenses are my secret sauce—wide-angles (like a 24mm) stretch the world, telephotos (say, 85mm) zoom in tight, each bending reality my way. Lighting’s where I flex—LED panels for precision, softboxes for that dreamy haze, reflectors to bounce sunlight like a pro. And don’t sleep on support gear: tripods keep me steady, dollies glide me smooth, cranes lift me to the heavens. It’s not just stuff—it’s how I make magic happen.

Taming the Wild: Shooting in Crazy Conditions

Filming’s not always a cozy studio gig—sometimes it’s battling blizzards, deserts, or underwater caves. I’ve hauled generators to remote jungles for a doc, rigged waterproof housings for ocean dives, and wrestled wind to keep a shot steady. It’s chaos, sure, but that’s where the fun lives—turning obstacles into eye-popping footage no one else dares to grab. Preparation’s my superpower here: scout it, gear up, and roll with the punches.

Light: The Soul of the Frame

Light’s my obsession—it’s what turns a flat image into a living story. Natural light’s my wild card—golden hour’s warm hug or a stormy sky’s brooding edge. Artificial light? That’s my paintbrush—tungsten for cozy, LEDs for crisp, tweaking every shadow to set the vibe. Ambient light sneaks in too, like a city glow or forest dapple, and I dance with it all. Soft and warm for a lover’s glance, harsh and cold for a villain’s stare—light’s how I make you feel the pulse of the scene.

The DP Life: Passion Meets Precision

Being a DP isn’t just a job—it’s a wild ride of creativity and tech wizardry. From nailing the basics to pushing boundaries with bold moves, I’m the guy who turns a director’s dream into a visual knockout. It’s about mastering the gear, reading the light, and pouring my heart into every frame. Whether I’m freezing a tear mid-fall or sweeping through an epic chase, I’m hooked on capturing those fleeting sparks of beauty and truth. That’s cinematography—and I wouldn’t trade it for the world.

Cinematographer

The art of capturing light and movement on film is a passion and a science

British Columbia

Filming in the middle of British Columbia in the Fraser River Valley

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More to discover

Filming in Ontario

Ontario offers scale and range: Toronto’s world-class studios, Ottawa’s government architecture, and Northern Ontario’s lakes and forests. This guide outlines locations, permits, crews, winter logistics and gear support. Films.Solutions assembles

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Imelda the movie, a truly great experience

Imelda the Movie was more than a shoot—it was a collaboration between international storytellers and Canadian crews. Films.Solutions provided fixer services, permits, cinematography, and logistical support to keep production smooth

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